It All Seems To Fall Into Line

Music by Ben Weisman and lyrics by Al Stillman

Roncom Music Co.

Arranged and Conducted by Cam Mullins

Produced by Chet Atkins

Recorded in RCA Victor's "Nashville Sound" Studio, Nashville, Tennessee

Recording Engineer: Tom Pick

Recording Technicians: Roy Shockley and Milton Henderson

Released in Stereo & and QuadraDisc 4-Channel

Recording Time 2:50

Recorded January 16, 1973 ~ Matrix No. CWA4-1049 Take 1 +

Single release: RCA-45RPM-APB0-0225-B ~ Recorded Time 2:50

Single Flip Side: "Beyond Tomorrow ( Love Theme from 'Serpico' ) "

Japan Single release: RCA SS-2356

Single Flip Side: "Beyond Tomorrow ( Love Theme from 'Serpico' ) "

Album issue: RCA-LP12 "And I Love You So" APL1-0100 STEREO DYNAFLEX MAY 1973

Album issue: RCA-LP12 "And I Love You So" APD1-0100 QUADRADISC SEPTEMBER 1973

Album Re- issue: RCA-LP12 "And I Love You So" AYL1-3672 STEREO MAY 1975

And I Love You So ~ Best Buy Version 1975

It All Seems to Fall Into Line / Beyond Tomorrow

'I don't mind being in my sixties', Perry said recently. 'I just don't want to feel or act it.' And he doesn't, judging by the songs he sings and the relish he displays in singing them. This modern-sounding song is actually the product of a veteran songwriting team, Al Stillman and Ben Weisman. Wordsmith Stillman wrote 'I Believe', 'Chances Are', 'Moments to Remember', 'No, Not Much', and 'Jukebox Saturday Night' among others. Weisman's songs range from 'Rock-a-Hula Baby' to 'Let Me Go Lover' to 'The Night Has a Thousand Eyes'. Together, they created a song with great appeal and a fresh sound.

( notes from "The Incomparable Como" Readers Digest UK compilation 1975 )