~with vocal by Perry Como and The London
Boy Singers
Music by Andrew Lloyd Webber and lyrics by and
Tim Rice
with German lyrics by André Heller
Solomon Tauber's Diary
Music by Andrew Lloyd Webber
Music at Riga
( Staendchen )
Music by J.
Heykens - Traditional
Miller's Theme
Music by Andrew Lloyd Webber
Ambross Polka
Traditional
Odessa Anthem (
Vocal Version )
Music by Andrew Lloyd Webber with German lyrics by
Michael Dress
Schwarzbraun Ist Die Haselnuss
Traditional
Odessa Anthem (
Orchestral Version )
Music by Andrew Lloyd Webber
Side
Two:
Miller Joins the Odessa
Christmas Dream
( Carousel )
Kidnap
Odessa Discovery
Sigi and Miller
Miller Finds Roschmann
Christmas Dream
( German Band )
All Music Composed By Andrew Lloyd
Webber
All selections Published By Colgems
Music ~ ASCAP
Recording Produced by Andrew Lloyd
Webber
Recorded in Munich, London and New
York
Chief Engineer: Alan O'Duffy
London recordings conducted
by Anthony Bowles and Alan Doggett
Solo Cello ~ Julian Lloyd Webber
Keyboards ~ Anne Odell
Bass Guitar ~ John Priseman
Lead Guitar ~ Vic Flick
Drums ~ Simon Phillips
"Christmas Dream: sung by Perry
Como with the London Boy Singers
Ambross Polka, Schwarzbraun ist die Haselnuss,
German band arrangement of "Christmas Dream"
conducted by Adolf Stahuber
German lyrics for "Christmas
Dream" by André Heller
and for the Odessa Anthem by Michael
Dress
English Lyrics by Tim Rice
Recording Produced by Andrew Lloyd
Webber
"The Odessa File" is Andrew
Lloyd Webber's third film score, the first being "Gumshoe"
starring Albert Finney ( 1971 )
and the second being the adaptation of
his score of "Jesus Christ Superstar" for
film ( 1973 ). He has composed the score
for "Joseph and the Amazing
Technicolor Dreamcoat" ( 1969, extended 1973 for the Young Vic
production by Frank Dunlop )
which, as with "Jesus Christ
Superstar," has lyrics
by Tim Rice. He is currently ( late 1974 ) completing work of a musical
based on P.G. Wodehouse's "Jeeves"
books with book and lyrics written by Alan Ayckbourn.
Album notes:
The first time I met Andrew Lloyd
Webber he was fourteen. He visited my home in Italy, borrowed the piano,
and made tape recordings. His Aunt Vi, a close friend and neighbour, had
told me many times of the exceptional talent of her young nephew. I had
listened politely. There are a lot of aunts in the world with
talented nephews.
Several years later I suggested to
Andrew he might like to write a song on "spec" for a musical I
was preparing. He did. I never got the film off the ground, but the song
became one of the hits in "Jesus Christ Superstar."
Composer have always made an important
contribution to motion pictures, and in this respect Andrew is no
exception. When he joined John Woolf and me on "The Odessa File"
we decided on, and he wrote, three main themes. The first a
composition for the O.D.E.S.S.A. itself, a Teutonic anthem, which
contained in the melody phrases that could be used separately to dramatise
the menace of this secret society. The second a theme illustrating the
compulsive and frustrated drive of the main character. The third a
nostalgic, typically German jingle which became the song "Christmas
Dream", with lyrics by Tim Rice, Andrew's partner.
"Christmas Dream" helped to
set the period of the sixties, and gave support as background music to the
romantic element in the story. Perry Como, a favourite in Germany during
this period, added authenticity.
Of these three themes, the second is
musically most important. A fugue for cello - played by Andrew's brother
Julian - with a Rock Group and full orchestra. It is probably Andrew's
most provocative and original composition to date. It cannot fail to cause
a great deal of attention in the world of music. Auntie Vi was right.